“It’s the thing that gives me greatest hope,” she continued. “The childishness of men and women. It means that the world is still young, still teachable.” She looked into his eager, hopeful eyes. Yes, it had always been so—it always would be, to the end. Not priests and prophets, but ever that little scattered band of glad sufferers for His sake would be His army. His weapon still the cross, till the victory should be won.!

Of course they would have to be careful. There must be no breath of gossip, no food for evil tongues. About that she was determined even more for his sake than her own. It would be fatal to his career. She was quite in agreement with the popular demand, supposed to be peculiarly English, that a public man’s life should be above reproach. Of what use these prophets without self-control; these social reformers who could not shake the ape out of themselves? Only the brave could give courage to others. Only through the pure could God’s light shine upon men. There was but one other woman at the hospital. It had been a farmhouse. The man and both sons had been killed during the first year of the war, and the woman had asked to be allowed to stay on. Her name was Madame Lelanne. She was useful by reason of her great physical strength. She could take up a man as he lay and carry him on her outstretched arms. It was an expressionless face, with dull, slow-moving eyes that never changed. She and Joan shared a small grenier in one of the barns. Joan had brought with her a camp bedstead; but the woman, wrapping a blanket round her, would creep into a hole she had made for herself among the hay. She never took off her clothes, except the great wooden-soled boots, so far as Joan could discover.

Joan heard a faint rustle and looked up. A woman had entered. It was the girl she had met there on a Christmas Day, a Miss Ensor. Joan had met her once or twice since then. She was still in the chorus. Neither of them spoke for a few minutes. Others continued to arrive until altogether there must have been about a dozen women present. One of them turned out to be an old schoolfellow of Joan’s and two had been with her at Girton. Madge had selected those who she knew would be sympathetic, and all promised help: those who could not give it direct undertaking to provide introductions and recommendations, though some of them were frankly doubtful of journalism affording Joan anything more than the means—not always too honest—of earning a living. It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.